DG - Traces of Becoming

Synopsis

The Compass Within the Ruin

The leitmotif is the journey from Rupture to Orientation and a new beginn, centered on the concept of Self as Threshold and the Compass/Pattern. The overall concept of the vlog is to document and practice a philosophical symbiosis of Travel and Creativity as a continuous method for navigating uncertainty and achieving inner transformation. This is not simply a travelogue, but a cinematic essay on "becoming" that begins in media res with an Invocation—a confrontation with personal collapse ("Rupture"). The journey is presented as a necessary response to the broken state of "old certainties." The vlog will utilize the camera/photography as a threshold for active, reflective perception, collecting fragmented "Traces" from the outer world (maps, streets, landscapes) and internal experiences (memory, emotion). By intentionally connecting these fragments into Patterns, the creative act itself becomes the Compass—a practical method for gaining insight and finding direction from within the ruins of a collapsed life structure, ultimately inviting the viewer to begin their own path of self-reshaping toward a new Horizon.

TRACES OF BECOMING

The Compass of Fragments — A Poetics of Transformation

Introduction
This short philosophical reflection accompanies my fourth Vlog in the LIFE REEL series — a visual journey through the island of Rhodos, filmed as part of my ongoing project PhotoVisionProject.
Each film in the series explores the interwoven paths of travel, creativity, and transformation.
Traces of Becoming was born from a period of rupture — personal, creative, and existential — and investigates how the act of moving through the world becomes an act of recomposition: of seeing, sensing, and becoming anew.
It stands as both a travelogue and a meditation — a poetics of how we navigate through crisis, fragments, and shifting identities.

The Compass of Fragments: A Poetics of Becoming

Every creative act begins in fracture.
We imagine beginnings as clear lines — a departure, a decision, a sunrise — yet what truly initiates the journey is the break, the quiet implosion of certainty.
In that moment, something ancient awakens: the need to orient again, to trace meaning through disarray.

Travel and creativity emerge from this same impulse.
Both are ways of reassembling the self after a collapse — not through repair, but through transformation.
To travel is to scatter one’s identity across unfamiliar terrains; to create is to gather the scattered back into a new constellation.
Each act mirrors the other: one moves through space, the other through perception.
Together they form a rhythm of dissolution and renewal — an unending cycle of becoming.

The artist, like the traveler, lives between worlds.
He does not seek arrival, but resonance — a correspondence between the visible and the invisible, between the landscape and the inner map.
The camera becomes both instrument and oracle, translating light into language, presence into memory.
In every image, the world looks back, asking: Who are you now, after what has changed?

To follow this question is to navigate without a map.
It is to move not toward completion, but toward depth — to find direction within the ruins of certainty.
The compass of fragments does not point north; it points inward, toward the living tension between loss and renewal.

And perhaps that is the true poetics of travel and creation:
not to escape the break, but to live through it —
to let the fracture speak, until it becomes form.

References

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